When “Milk” was released last November, activists still stinging by the passage of Proposition 8 that month were wistful of the energy of the gay movement and its leader, Harvey Milk.
Almost a year later, no singular figure like Milk has emerged, but the film itself has an influence in the National Equality March on Oct. 11.
The co-chair of the march is Cleve Jones, the AIDS and LGBT activist, whose portrayal in “Milk” by Emile Hirsch has given him new level of prominence. Along with Jones, the film’s screenwriter, Dustin Lance Black, is on the bill to speak at a rally on the U.S. Capitol’s west lawn after the march. The film’s producer, Bruce Cohen, helped lined up a list of stars and other notables to endorse and publicize the event, and plans to attend along with his fellow producer of “Milk,” Dan Jinks.
But the march comes with doubts and uncertainty as to just how many people will show up and the strength of the organizing effort, as well as the wisdom of staging such an event with the dire economy and when resources are needed for a campaign to push back a Maine ballot measure to restrict same-sex marriage and another in Washington state to repeal domestic partnership rights.
Established gay rights organizations like the Human Rights Campaign and the National Gay and Lesbian Task Force endorsed the event only in the past couple of months, and have not been central in its original planning. Some popular gay bloggers were initially very skeptical, and some charged that it was a way for Jones to capitalize on the profile boost he got from the movie.
The march’s goal is all encompassing — “equal protection in all matters governed by civil law in all 50 states” — and activists are expected to push for a plethora of issues, from a repeal of “Don’t Ask, Don’t Tell” to same-sex marriage rights.
But when civil rights activist and political strategist David Mixner first called for a march on his blog last May, one of the triggers was impatience that the Obama administration hadn’t taken greater action. “I adore President Obama, but not enough to allow his team to delay my freedom for political convenience or comfort,” Mixner wrote. “It is unacceptable.”
That was followed by Jones’ announcement of plans to stage the march at a rally in Fresno after the California Supreme Court upheld Proposition 8.
Mixner defends the march’s timing.
Citing the civil rights march of 1963, at a time when African Americans were fighting many different strands of racial injustice, he says, “We are not the first group to be asked to walk and chew gum at the same time.”
“What is important is that it is happening and that we can handle more than one thing at a time,” he says.
And he also pushed aside notions that the march was “the Cleve show” — or even the “Mixner show.”
Mixner says of Jones, “He was new on the national scene again, and people sometimes aren’t comfortable when they are directly challenged to do more.”
In an interview with blogger Bil Browning, Jones said that he was initially resistant to the idea until Mixner mentioned that he and another gay activist, Torie Osborn, organize it.
The budget for the event is about $250,000, a fraction of the cost of previous gay rights marches. Organizers don’t have estimates of how many will show.
Robin McGehee, co-director of the march, says that some established organizations had originally been reluctant to sign on, “and in my opinion it could have been stronger.”
“When you don’t have the power, infrastructure and resources to fight back, you really are at the mercy of a viral grassroots effort,” she says.
Although Jones has been crucial in promoting the march, McGehee noted that some 105 people are on the steering committee, and one of the goals is to mobilize activists for further efforts.
In that respect, she says, “the movie was exactly what our movement needed to give hope again to a new generation of people, who didn’t know him or had to be reminded again. It breathes life into a dream that we thought we lost on November 5.”
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